Contact

Jesse Cameron Alick

917-715-5576

jcalick@yahoo.com

Work History

Associate Artistic Director, The Vineyard Theatre, New York, NY

September 2021-Present

Dramaturgy, Producing, Curation, Artistic producing, New work development, budget management, gala event producing; fellowship/producer/dramaturg/production department hiring, training and supervision; development department cultivation; strategic institutional relationships and coproductions.

Freelance Dramaturg

2010-Present

The Shed (NYC), Sundance Institute Theater (NYC/UT), The Bridge Theatre (UK), Ballet Boys (UK), Bushwick Starr (NYC), McCarter Theater (NJ), Ars Nova (NYC), Acting Company (NYC), Mai-Yi Theater (NYC), Royal Court (UK), Ilsa Film Productions (NYC), All For One Theater (NYC), Mai Yi Theater (NYC), The Kimmel Center (PA), High Tide Theater (UK), Good Chance Theater (UK), Deaf West (CA), Summer Shorts festival (NYC), City Theater (PA), Denver Theatre Center (CO), The Vineyard Theatre (NYC), MCC Theater (NYC), The Public Theater (NYC), BAM (NYC), Lincoln Center (NYC) and work as a production dramaturg with various other independent playwrights, directors and producers in the non-profit and commercial sectors. Nightclub Dramaturg.

Interdisciplinary Program Advisor, Sundance Institute

January 2021-August 2022

Interdisciplinary Program advisor, duties include helping a new department with long term planning, project ideation and granting review.   

Lead Forum Curator, Theater Communications Group, New York NY

September 2021-November 2021

Lead Curator in charge of programming for National Fall Forum 2021 Conference, artistic researcher, field ideation leader

Company Dramaturg, Public Theater, New York, NY

August 2016-August 2021

Co-head of the New Play Development department, in charge of the dramaturgy, creation and tracking of development plans for plays, musicals, devised work and digital theater. Managing 12-15 commissions, readings and Workshops (over 60 per year), Artist Retreats, Artist Residencies, Public Lap workshop productions, leading the Emerging Writers Group. Developing artist contracts and managing department budgets. Production Dramaturgy and Artistic lead on 3+ productions a season. Artist cultivation and individualized dramaturgy. Long term relationships with other theatrical institutions, agents and producers. EDI Taskforce, BIPOC Affinity Group Leader.

Artistic Researcher and Theater consultant, Sundance Institute

January 2021-August 2021

Conducted a comprehensive survey of the field of theater and live performance, interviewing over 70 individuals representing a wide sampling of the industry, and prepared an in depth report on the future of the industry, while analyzing Sundance’s place in the ecosystem.  See more at www.emergingfromthecave.org

Literary Manager, Public Theater, New York, NY

2014-2016

Managing various script submission systems, including readers, pass letters and play reports. High level dramaturgy and play development. Communication with agents and senior artist relations facilitation. Managing artist residencies, retreats, Emerging Writers Group and Public Lab workshop productions. Extensive travel to theaters nationwide and beyond.


Artistic Associate, Public Theater, New York, NY

2011-2014

Artistic Liaison, read large quantity of scripts, play coverage, dramaturgical meetings and notes with artists. Internship coordinator. Assisting in establishing new programs. Interim Literary Manager.

Executive Assistant to the Artistic Director, Oskar Eustis

2006-2011

Assisting the Artistic Director of the Public, managing a fast-paced office, including phone systems, email correspondence and scheduling. Serving as the main conduit of information coming to and from Artistic Director. Organizing travel plans in the US and numerous international locations. Hiring and managing two additional assistants.

Assistant to Playwright Suzan-Lori Parks

2008-2014

Assisting Pulitzer Prize winning playwright Suzan-Lori Parks.

Artistic Director and Producer, Subjective Theatre Company

2002-2012

Overseeing and guiding the overall artistic vision of an independent theater company in New York City. Restructuring, forming and supervising all departments. Lead Producer on over a dozen full productions, three musicals, numerous hip hop performances and cabaret acts. Space rentals, contracts and budgets.

Associate Producer, Smokin’ Word Production

2001-2006

Hip hop and spoken word theater company. Cultivating new relationships, special events, fundraising, programming, space rentals, contracts and casting.

Board Membership

2021-Present

Pipeline Theater Company

www.pipelinetheatre.org

Teaching Experience

NYU, PH Theater School, Creative Leadership Professor, 2022/2023; Faculty Leadership Committee

Kennedy Center, Guest lecturer, 2021

Fordham University, Adjunct Theater History Professor, 2019

Goddard College, Guest Teacher, 2016

Primary Stages, Guest Teacher, 2016

UT Austin, Guest Lecturer/Dramaturg, 2017, 2015

NYU, Theater Matters, Assistant Teacher, 2012-2013

NYU, Collaboration Reloaded, Assistant Teacher, 2011-2013

Lewis and Clark College, Adjunct Professor, Theater, 2010

Ryan White Youth Conference, Workshop Facilitator, 2006

Police Athletic League, Poetry Teacher, 2005-2006

Smokin’ Word Productions, Hip Hop Playwright Training, 2003-2005


Recent media

I LOVE NY

A profile on LGBT arts leaders in NYC

NATIONAL ENDOWMENT FOR THE ARTS

Monthly Podcast, Quick Study

VARIETY

An interview on the release of EMERGING FROM THE CAVE study with Sundance

AMERICAN THEATRE MAGAZINE

An interview on the state of the theater field, post pandemic

THE THREE BELLS, GLOBAL CULTURAL DISTRICTS NETWORK

A discussion of the future of theater and live performance

BARDQUEST EMPIRE

An interview on Dungeons And Dragons and storytelling

Book Society

An interview about the work of NK Jemison and Afrofuturism